Torvald is the undisputed head of the house, the paterfamilias and sole breadwinner whose overriding purpose in life is to protect and provide for his family. She carries, too, the little bag of macaroons on which she nibbles, assuring Helmer, when he sternly questions her, that she has not touched one.
You ought to be ashamed. He is revealed as a shallow, vain man who is incapable of understanding his wife or of properly returning her love. The whole thing is an abyss of ugliness! For the author, Torvald stands for all the individual-denying social ills against which Ibsen has dedicated all his writing.
Nora's role within the marriage is also highly conventional. She is consistent throughout. How warm and cosy our home is, Nora. Other English critics were entranced by the radical innovations Ibsen made to dramatic style.
Once accompanied by the gift of beauty, these attributes will ensure them the protection of man. When he finally addresses her by name, in Act Three, her behavior is entirely different—she becomes serious, determined, and willful.
She does have some worldly experience, however, and the small acts of rebellion in which she engages indicate that she is not as innocent or happy as she appears. Though she clearly loves and admires her father, Nora also comes to blame him for contributing to her subservient position in life.
Nora finally leaves her children in the Nurse's care, believing that they will be better off than they would be with her. Rank, Nora's double in concealed disease, and Krogstad, her double in crime, both appear upon the scene for the last time during the tarantelle dance -- that is, at the climax of the play.
He used to call me his doll-child, and he played with me the way I used to play with my dolls. The problem of A Doll's House, for instance, is not concerned with the marriage relations of Nora and Helmer, but with the character of Nora. One measure of the way in which the relationship's dynamic has changed lies in how Nora starts to manipulate Torvald and also Dr.
His job at the bank is a major part of this respectability. It is a torch set at the apex, flaring both ways.
She is eager to dance it well for his sake and for her own. She wishes to be relieved of her familial obligations in order to pursue her own ambitions, beliefs, and identity.
A Doll's House is the second play in which Ibsen made use of the kind of symbolism outlined here. She decides that Nora cannot continue to deceive Torvald and that Krogstad should not retrieve his letter.
But she has never told him where the money came from, as his pride would suffer. People were incredulous that any woman actually could behave as Nora did; that any woman could put her own desire for understanding and knowledge above the care and raising of her children.
Rank to help her pay off the debt, but after he reveals his love for her, she will not ask this favor of him. She has struggled financially and now that she has no one to look after, she feels empty.
The tarantelle is the symbol of Nora. In the end, when she and Krogstad have decided to marry, she is happy because she will have someone for whom to care. On the other hand, not only is Nora treated as a spoiled child but also as a sexual object that her husband fantasizes about. Her journey from independence to marriage is a foil to Nora's journey in the opposite direction.
Though not for long. When a man mistakes appearances for values, the basic blame must be attributed to his social environment.In A Doll's House, Nora Helmer is Torvald’s “doll wife” who hides her financial debt Character Analysis What is the structure of Henrik Ibsen's A Doll's House?
Ibsen's play. One of the two main characters in the play, Torvald is the husband whose "doll's house" is torn apart at the end of the show. His character is far from ideal — but upon seeing a production of Henrik Ibsen’s A Doll’s House, audiences are left with an important question: Should we feel sorry for Torvald Helmer?
Free feminist movement papers, essays, and research papers. A Marxist and Feminist Analysis of the play "A Doll House" by Henrik Ibsen. Nora is by far the most interesting character in the play. Many critics have pointed out that such an immature, ignorant creature could never have attained the A Doll's House Henrik Ibsen.
BUY! Home; Literature Notes; A Doll's House; Nora Helmer; Table of Contents. Character Analysis Nora Helmer Bookmark this page Manage. Initially, all seems well in the Helmer household. Nora and Torvald's marriage appears to be a conventional one, entirely consistent with prevailing middle-class standards of respectability.Download